I don’t have a bottle of scotch in my office. I know that’s hard to believe, but it’s true. It’s not because I’m a recovering alcoholic, or because I’m morally opposed to mind-altering beverages or because I’m more of a gin man. No… the reason there’s no scotch in my office is much simpler. I am not Don Draper.
The fifth season of AMC’s award-winning show Mad Men starts on Sunday, March 25. And with it, the myth of life inside an ad agency will continue to grow further from reality. Now just to be clear, I love Mad Men. And I love other TV shows and movies that prominently feature advertising. Movies like Crazy People and Boomerang probably have more to do with me wanting to work in this business than I care to admit.
But let’s make one thing perfectly clear: The world these movies and TV shows depict fails in nearly every respect to capture what working in an ad agency is like. Is it more fun and relaxed than your average insurance office? Absolutely. Is it the frat-house-meets-fun-house atmosphere we see on the big screen? Absolutely not. As is the case with most stereotypes, these are based in reality, but the degree to which they’ve been exaggerated borders on the ridiculous. It’s like the difference between throwing a bullet and shooting it.
Now, exaggeration and over-dramatization are a huge part of Hollywood’s M.O. And we want it that way. Because no matter how exciting things might get around Two Rivers Marketing, there’s not enough high drama to carry a movie or TV series.
The same goes for our most popular genres — the cop show and the medical drama. I’m sure that if you ask a cop, he’ll tell you his world isn’t exactly like Lethal Weapon or NYPD Blue. And a doctor will be the first to tell you that Grey’s Anatomy was not a documentary. But, for some reason, I feel like we all collectively understand that those shows are gross fabrications. That notion hasn’t seemed to catch up with advertising yet. Perhaps it’s because it’s just not that ubiquitous.
Maybe, after the networks have rolled out Mad Men: Miami, Mad Men: Special Client Force and Madder Men, they’ll realize that we’re just not that … well … mad.
Agencies at the Movies
if you haven’t seen these ad-centric flicks, here’s a primer.
What Women Want
starring Mel Gibson, Helen Hunt
Fictional campaign tagline: “No games. Just sports.”
Like its leading man, this movie is mostly ridiculous. But the campaign they put together for Nike’s women’s division is spot-on brilliant.
How to Lose a Guy in 10 Days
starring Matthew McConaughey, Kate Hudson
Fictional campaign tagline: “Frost yourself.”
These two starred in 47 movies together between 2001 and 2005. And this was one of them. So, even if you haven’t seen it, you sorta have.
Nothing in Common
starring Tom Hanks, Jackie Gleason
Fictional campaign tagline: “From your home, to our home, to their home. Colonial Airlines. Your home in the skies.”
David Basner (played by Hanks) is the creative guy I want to be. Cool, crazy, confident, sharp and a little bit dangerous. The pitch to the executives at Colonial Airlines is my second favorite pitch scene in any ad movie.
Bounce
starring Ben Affleck, Gwyneth Paltrow
Fictional campaign tagline: “It’s a HOT dog!”
Everyone forgets about this movie. Probably because it’s incredibly forgettable.
Crazy People
starring Dudley Moore, Daryl Hannah
Fictional campaign tagline: “Volvo. Boxy, but good.”
The copywriting is this “movie about truth in advertising” is seriously amazing. And although it’s nine kinds of nuts, the pitch scene in the mental hospital is tops in my book.
Boomerang
starring Eddie Murphy, Robin Givens, Halle Berry
Fictional campaign tagline: “Strangé!”
This 1992 flick may well have been the last watchable Eddie Murphy movie (yes, I know he was in Shrek, but that’s not an “Eddie Murphy movie”). And although it stars Halle Berry and Robin Givens (at the height of her powers, no less), 65-year-old Eartha Kitt steals the movie as cosmetics magnate Lady Eloise.